Gantumoote (2019)

Filmmaker Roopa Rao crafts a beautifully-poignant coming-of-age story of affection, separation and longing in her function movie debut, a nice romantic drama we’ve had in a very long time. Gantumoote, the truth is, works higher as a peek into somebody’s deeply-personal memoir, whose dog-eared pages are stuffed with extra tears than happiness. Its English title interprets to Baggage and it’s this baggage that Meera carries all through the film and maybe, past. You can have a look at Gantumoote in two methods: a filmmaker unearthing a private story for her function movie and a teen overcoming the grief that has engulfed her life after the passing of the boy she beloved to the moon.

Roopa Rao examines the romantic relationship of highschool sweethearts Meera (Teju Belawadi, in a wow efficiency) and Madhu (Karthik Achari) on this seemingly harmless love story the place she factors out the horrors of ‘romantic’ tropes by way of the eyes of Meera, giving the much-needed feminine gaze on a tradition that’s predominately male. Gantumoote is definitely essentially the most highly effective piece of filmmaking in latest occasions, and it’s what you would get when the movie’s politics is aligned with the filmmaker’s imaginative and prescient and not the opposite method spherical.

Gantumoote is on Amazon Prime Video

A still from ‘Sillu Karupatti’

Sillu Karupatti (2019)

There isn’t any different method to describe Sillu Karupatti than name it a bittersweet expertise. Halitha Shameem’s sophomore anthology film is 4 delightfully woven tales with a standard motif: love. Much like C/O Kancharapalem, the 4 shorts right here — Pink Bag, Kaaka Muttai, Turtle Walk and Hey Ammu — signify the assorted chapters of a (wo)man’s life and are written with nice care and precision.

There is an admirable quantity of tenderness in Sillu Karupatti, which you wouldn’t usually discover in Tamil films. It is there within the writing, within the frames and in music. With this film, it’s secure to come to a conclusion that Halitha Shameen is one filmmaker you ought to look out for.

Sillu Karupatti is on Netflix

A scene from ‘Chola’

Chola (2019)

From the creator of Ozhivudivasathe Kali and S Durga comes yet one more providing on what I would really like to name the Power vs Powerless trilogy. Chola is bone-chilling and takes the torture to a complete new tangent. Those of you accustomed to Sanal Kumar Sasidharan’s model of cinema would know that he takes pleasure in disrupting the collective consciousness of the viewers. And Chola, which premiered on the Venice International Film Festival, is torture in disguise and makes us squirm in our seats.

Chola can be seen as an extension of the place S Durga ended. It opens with a fable, which, in flip, takes the form of the narrative. A teenage boy (unnamed) decides to take his girlfriend Janaki (Nimisha Sajayan who appears to have lived by way of the torture) out on a date, on a broad daylight. Janaki will not be satisfied, however she agrees within the hope that it will simply be the 2 of them. She turns into suspicious of the presence of his “Boss” who agrees to do the pick-up, drop service. Her suspicion takes a full-blown form and turns right into a nightmare because the film progresses, finishing the fable.

Chola is on Amazon Prime Video

A poster of ‘C/O Kancharapalem’

C/O Kancharapalem (2018)

I’ve to admit that I used to be blown by this Telugu indie directed by Maha Venkatesh, and have taken the part-time job of the movie’s PR particular person, promoting it to my shut circle since then. It is a pleasant coming-of-age story that’s diligently-written, beautifully-shot, wonderfully-cast and brilliantly-acted. The director appeared to have mined the tales out of real-life incidents, making all of them the extra palatable.

It is pleasure to watch the characters of C/O Kancharapalem and fall in love with them another time. And what nice songs by Sweekar Agasthi. I need to warn you although: it’s not a love story, however a narrative about love. Those of us who queued up to watch C/O Kancharapalem, having no prior information in regards to the movie nor its filmmaker, stepped out of the cinema corridor feeling dangerously optimistic about life. Given the occasions we’re in in the intervening time, this candy, little film is all we want.

C/O Kancharapalem is on Netflix

A still from ‘Jiivi’

Jiivi (2019)

This turned out to be a pleasantly-surprising watch final yr. In the sense that no one may have predicted the end result of this part-good, part-bad screenplay and you end up consistently guessing the place the plot leads us. A sequence of mysterious occasions begins to mirror Saravanan’s life when he robs his landlady. Jiivi would possibly give you the impression of an archetypal heist-thriller at first. But its screenplay is extra deeper than that. It talks in regards to the interconnectedness of life. Jiivi will not be excellent but it surely actually surprises you and places a smile on your face by the top of it.

Jiivi is on Amazon Prime Video

A still from ‘Nila’

Nila (2015)

This indie film directed by Selvamani Selvaraj would possibly maybe be the least-known on this listing however absolutely is an affecting romantic drama, exploring the lives of two childhood pals Vimal (Vicky R) and Nila (Sruthi Hariharan) who get an opportunity to rekindle their relationships. Loneliness pervades Vimal’s life as he shuttles clients 24×7. He is a Taxi Driver in Mumbai. There is an inexplicable sense of vacancy in him till he likelihood encounters Nila, the woman who he had seen solely at school uniform, makes a re-entry as a lady in saree.

He drops her. She waits for him. They relive recollections and have a tendency to uncover one another, at this stage of their lives. Vimal by no means had the gall to suggest. Life, in any case, offers you second probabilities. But there may be additionally one other facet to Nila that he wants to know. When he comes to know the reality, it shatters Nila greater than Vimal. For, she takes consolation in his gaze and presence. I keep in mind this improbable dialogue that Nila says to Vimal in direction of the top: “Nee paathathu poothi-vitta maari irunthuchu (Your gaze, after all, gave me warmth).” This line will stick with you for someday.

Nila is on Netflix

A still from ‘Ee Ma Yau’

Ee. Ma. Yau (2018)

This will not be precisely ‘hidden’ however positively a gem of a film. Cinephiles throughout the nation take pleasure in admitting the truth that they’re a fan of Lijo Jose Pellissery, having watched his universally common films — Angamaly Diaries and Jallikattu. But Pellissery’s best work has acquired to be Ee. Ma. Yau, a seminal and meditative take on life and demise.

Vavachan (Kainakary Thankaraj) senses a premonition about his demise and requests his son Eeshi (Chemban Vinod Jose) that he give his father a correct farewell. His demise units off a bomb of occasions, exposing the murky sides of human minds which can be each comedy and tragedy — within the sense, the comedy is evoked from horrible conditions however we giggle however.

No different filmmaker in up to date Indian cinema has been exploring myriad themes like how Lijo Jose Pellissery has been doing. Watch Ee. Ma. Yau if you haven’t and I guarantee that your jaws will likely be dropped for its opening sequence.

Ee. Ma. Yau is on Amazon Prime Video

A still from ‘Awe!’

Awe! (2018)

This Telugu thriller is madcap enjoyable. Six particular person tales — coping with a number of psychological and social points — kind the dominant a part of the narrative and you have a tendency to suspect Awe! as an anthology at first. But it’s not and director Prashanth Varma tries to tie collectively these tales, with a stellar solid that features Kajal Aggarwal, Nithya Menen, Regina Cassandra, Srinivas Avasarala and Murali Sharma.

Loads occurs in Awe!, which has a twisted narrative construction that at occasions leaves you with a way of exasperation and claustrophobia. But if you sit by way of the primary half-hour mark, you will uncover a bunch of fascinating concepts executed nearly-well.

Awe is on Netflix

A still from ‘Brochevarevarura’

Brochevarevarura (2019)

This needs to be an fascinating watch for individuals who are accustomed to Lokesh Kanagaraj’s rock strong directorial debut, Maanagaram. It has an identical narrative arc or what they name ‘hyperlink’ cinema. A set of weird occasions happen within the lives of the central characters and how the director (Vivek Athreya) manages to sew them collectively is what Brochevarevarura is all about. There is romance, there may be comedy, there may be theft, there’s a commentary on sexual harassment and above all, there may be an entertaining film at your disposal.

Brochevarevarura is on Amazon Prime Video

Parthiban in a scene from ‘Oththa Seruppu Size 7’

Oththa Seruppu Size 7 (2019)

R Parthiban is infamously identified for twisting one’s assertion and for his complicated wordplay — if we have been to take a leaf out of the quite a few comedy tracks with Vadivelu. In Othatha Seruppu Size 7, he places the viewers in Vadivelu’s footwear to observe the implications of an unreliable narrator. Masilamani (Parthiban) is lodged inside a police station, for he’s a suspect in a homicide case. The film is in regards to the investigation and whether or not or not Masilamani is a convict.

OSS7 is Parthiban’s daring and dazzling effort in pulling off an efficient trick: dishonest the viewers into believing one thing, thereby diverting their consideration from the bigger design. You have to purchase into no matter Parthiban has to say, given the absence of visuals to help his argument. Of course, the solo act could have ended as a dud with out the editor’s (R Sudarshan) work.

Othatha Seruppu Size 7 is on Netflix

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